A black layer mask was added to the Glow layer and just the parts where I wanted the Glow to show up were painted back in the layer mask. Two things were done differently from the usual application of this filter: 1. If you would like the detailed steps and plug-in settings used, check Image 1 info below. The image of the two pink hibiscus has both filters applied.
#Topaz impression pdf how to
Click on the Webinar link above for a download button that links to a Glow PDF file showing how to make his presets and several of his actions – I refer to the PDF file all the time now.įor me it seems Topaz Impression works great as the second step once Glow has been applied.
I thought I would show you a few more examples of how Blake is using Glow to get some absolutely beautiful soft glow effects. I watched a Topaz Webinar by Blake Rudis’s ( Integrating Topaz Glow into Your Workflow) and then another shorter video ( Topaz Glow A Closer Look with Blending Options), and the program actually makes a lot more sense to me. Well, now that the holidays are over, I have had a chance to get reacquainted with Topaz (see sidebar at my Tidbits Blog for website link) Glow and start to understand this little gem of a plug-in a little bit more.
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